Take beadweaver and designer Susan Mandel as an example. Sue just bought this lovely Victorian era reticule from me. Sue states, "I find a lot of inspiration for my beadwork from past styles and designs - some designs are timeless."
We can't wait to see how Sue translates this Victorian design into something that works for today! Take a look at Sue's Beadweaver Blog. Or, if you're feeling inspired, purchase her beadweaving patterns.
We've talked before about how a designer sometimes uses the design of the fabric for inspiration. Such is the case with this sweet late 1950's dress. The fabric is a cotton pique with a large scale black and white plaid. Line drawn daisies fill the white squares of the plaid.
But the designer of this dress decided to make things more interesting by cutting the pattern on the crosswise grain, thereby tipping the daisies on their sides! What a great idea to add a bit of whimsey and visual interest to a simple summer sundress!
See this dress and more at Couture Allure Vintage Fashion .
I must admit that I am old enough to have been able to wear this jumpsuit during the Disco era 1970's. But there is no way my mother would have let me out of the house in this ultra-sexy jumpsuit by Mr. Boots.
The designer plays a trick by making the back of the jumpsuit look especially demure and plain. But turn around, and you'll have all the guys panting! The bare midriff is accented with criss-cross corset lacing that holds the front upper bodice in place over the breasts.
See this jumpsuit and more at Couture Allure Vintage Fashion .
Details can make such a difference! This cute red, white, and blue stripe dress dates to the early 1940's. This is not a "designer" garment. It is an everyday dress that was probably purchased at a small town dress shop. But, even though it wasn't an expensive dress, take a look at the attention to detail in the construction.
The patch pockets are made from 3 separate pieces for visual interest by varying the direction of the stripes. The red, white, and blue circles of the buttons complement the stripes.
Also notice the attention given in matching the stripes at the center front and back seams of the skirt. If you sew, you know this is not easy to do. The pattern pieces must be cut and then sewn with great care to get the match exactly right. This type of matching is only found in the most expensive garments today, but was considered the norm back in the 40's!
See this dress and more at Couture Allure Vintage Fashion .
Sometimes the print of the fabric will dictate the design of the garment. Such is the case with this simple sheath dress by Krizia. This dress was designed in the 1980's and the straight silhouette with the boat neckline and kimono sleeves serves to set off the splashy print of the cotton fabric.
The clean straight lines of the dress with minimal seaming allows the textile to become the main focus here.
See this dress and more at Couture Allure Vintage Fashion .
